HIROYUKI HAMADAUntitled #482003-2005, 33” burlap, plaster, enamel, oil, resins, wax and tar Images via the artists website after seeing Hamada’s work on my dash yesterday I decided to revisit his site, which now has some new,  large, Hi-res images with tons of close ups— more on the way 
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HIROYUKI HAMADAUntitled #482003-2005, 33” burlap, plaster, enamel, oil, resins, wax and tar Images via the artists website after seeing Hamada’s work on my dash yesterday I decided to revisit his site, which now has some new,  large, Hi-res images with tons of close ups— more on the way 
Zoom Info

HIROYUKI HAMADA
Untitled #48
2003-2005, 33”

burlap, plaster, enamel, oil, resins, wax and tar 

Images via the artists website 
after seeing Hamada’s work on my dash yesterday I decided to revisit his site, which now has some new,  large, Hi-res images with tons of close ups—

more on the way 

youknowimcominghome: Pia Männikkö, ‘Still live II’, 2011 ‘In Still live the material has a life of its own. After recording my movements clay starts to dry, shrink, crack and change colour. The process will continue through the exhibition until the clay has lost its mobility. After the exhibition in Armory Gallery the clay will be recycled and made moist again, it will have yet another life.’
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youknowimcominghome:

Pia Männikkö, ‘Still live II’, 2011

‘In Still live the material has a life of its own. After recording my movements clay starts to dry, shrink, crack and change colour. The process will continue through the exhibition until the clay has lost its mobility. After the exhibition in Armory Gallery the clay will be recycled and made moist again, it will have yet another life.’