HIROYUKI HAMADA#59, 2005-2008plaster, tar, wax, oil and enamel Last one for now—These feel like artifacts from the future, there is something new and forward looking yet these stunning forms feel as if they’ve been aged, or marked by time. The thing that keeps me entranced with these forms is the material transformation. I love the surface he is able to create with such a finite set of materials. 
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HIROYUKI HAMADA#59, 2005-2008plaster, tar, wax, oil and enamel Last one for now—These feel like artifacts from the future, there is something new and forward looking yet these stunning forms feel as if they’ve been aged, or marked by time. The thing that keeps me entranced with these forms is the material transformation. I love the surface he is able to create with such a finite set of materials. 
Zoom Info
HIROYUKI HAMADA#59, 2005-2008plaster, tar, wax, oil and enamel Last one for now—These feel like artifacts from the future, there is something new and forward looking yet these stunning forms feel as if they’ve been aged, or marked by time. The thing that keeps me entranced with these forms is the material transformation. I love the surface he is able to create with such a finite set of materials. 
Zoom Info
HIROYUKI HAMADA#59, 2005-2008plaster, tar, wax, oil and enamel Last one for now—These feel like artifacts from the future, there is something new and forward looking yet these stunning forms feel as if they’ve been aged, or marked by time. The thing that keeps me entranced with these forms is the material transformation. I love the surface he is able to create with such a finite set of materials. 
Zoom Info

HIROYUKI HAMADA
#59, 2005-2008

plaster, tar, wax, oil and enamel 

Last one for now—
These feel like artifacts from the future, there is something new and forward looking yet these stunning forms feel as if they’ve been aged, or marked by time. The thing that keeps me entranced with these forms is the material transformation. I love the surface he is able to create with such a finite set of materials. 

HIROYUKI HAMADAUntitled #482003-2005, 33” burlap, plaster, enamel, oil, resins, wax and tar Images via the artists website after seeing Hamada’s work on my dash yesterday I decided to revisit his site, which now has some new,  large, Hi-res images with tons of close ups— more on the way 
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HIROYUKI HAMADAUntitled #482003-2005, 33” burlap, plaster, enamel, oil, resins, wax and tar Images via the artists website after seeing Hamada’s work on my dash yesterday I decided to revisit his site, which now has some new,  large, Hi-res images with tons of close ups— more on the way 
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HIROYUKI HAMADA
Untitled #48
2003-2005, 33”

burlap, plaster, enamel, oil, resins, wax and tar 

Images via the artists website 
after seeing Hamada’s work on my dash yesterday I decided to revisit his site, which now has some new,  large, Hi-res images with tons of close ups—

more on the way