TACITA DEAN select details from: Fatigues | 2012 (installation views and full pieces here)images found via: Contemporary art Daily  my two cents: I’d love to see these large unfixed blackboard drawings in person. I’m seduced by the temporal nature of the material,  and inspired by the way that image and text function together— with text providing a kind of narrative of thoughts mixed with directorial / cinematography notes and all of this at such a profound scale as to dominate the space.
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TACITA DEAN select details from: Fatigues | 2012 (installation views and full pieces here)images found via: Contemporary art Daily  my two cents: I’d love to see these large unfixed blackboard drawings in person. I’m seduced by the temporal nature of the material,  and inspired by the way that image and text function together— with text providing a kind of narrative of thoughts mixed with directorial / cinematography notes and all of this at such a profound scale as to dominate the space.
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TACITA DEAN

select details from: Fatigues | 2012 (installation views and full pieces here)
images found via: Contemporary art Daily 

my two cents: I’d love to see these large unfixed blackboard drawings in person. I’m seduced by the temporal nature of the material,  and inspired by the way that image and text function together— with text providing a kind of narrative of thoughts mixed with directorial / cinematography notes and all of this at such a profound scale as to dominate the space.

Twombly moved painting beyond the heroic domains of Abstract Expressionism— Where his predecessors worked in brawny swaths of paint, Twombly focused on the delicate, scratching and scribbling, fusing looping calligraphic line, odd marks, raw smudges, blackboard-like scrawls and gorgeous visceral color with intimations of myth, narrative and a Whitman-esque feel for effusion and the erotic.(words by Jerry Saltz) 
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Twombly moved painting beyond the heroic domains of Abstract Expressionism— Where his predecessors worked in brawny swaths of paint, Twombly focused on the delicate, scratching and scribbling, fusing looping calligraphic line, odd marks, raw smudges, blackboard-like scrawls and gorgeous visceral color with intimations of myth, narrative and a Whitman-esque feel for effusion and the erotic.(words by Jerry Saltz) 
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Twombly moved painting beyond the heroic domains of Abstract Expressionism— Where his predecessors worked in brawny swaths of paint, Twombly focused on the delicate, scratching and scribbling, fusing looping calligraphic line, odd marks, raw smudges, blackboard-like scrawls and gorgeous visceral color with intimations of myth, narrative and a Whitman-esque feel for effusion and the erotic.(words by Jerry Saltz) 
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Twombly moved painting beyond the heroic domains of Abstract Expressionism— Where his predecessors worked in brawny swaths of paint, Twombly focused on the delicate, scratching and scribbling, fusing looping calligraphic line, odd marks, raw smudges, blackboard-like scrawls and gorgeous visceral color with intimations of myth, narrative and a Whitman-esque feel for effusion and the erotic.(words by Jerry Saltz) 
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Twombly moved painting beyond the heroic domains of Abstract Expressionism—

Where his predecessors worked in brawny swaths of paint, Twombly focused on the delicate, scratching and scribbling, fusing looping calligraphic line, odd marks, raw smudges, blackboard-like scrawls and gorgeous visceral color with intimations of myth, narrative and a Whitman-esque feel for effusion and the erotic.

(words by Jerry Saltz)