stunning student installation in MassArt’s courtyard, by Leah Medin
40’ of golden gauzy fabric (organza) dancing in the wind-
The Acquired Inability to Escape, 1991
Damien Hirst
via: todayisperfect
By now you’ve seen all the amazing shots of this installation—
but have you seen the preparatory drawings?
Christo
big air package drawings (Project for Gasometer, Oberhausen, Germany)
- Air Package
Collage 201130 1/2 x 26 1/4” (77.5 x 66.7 cm)Pencil, charcoal, pastel, wax crayon, fabric, polyethylene, twine and cut-out cardboard - The Big Air Package Drawing 2012 in two parts96 x 42” and 96 x 28” (244 x 106.6 cm and 244 x 71 cm)Pencil, charcoal, pastel, wax crayon, wash and architectural plans
- The Big Air PackageDrawing 2012 in two parts96 x 28” and 96 x 42” (244 x 71 cm and 244 x 106.6 cmPencil, charcoal, pastel, wax crayon, wash and architectural plans
- The Big Air Package Collage 2013 in two parts30 1/2 x 26 1/4” and 30 1/2 x 12” (77.5 x 66.7 and 77.5 x 30.5 cm)Pencil, charcoal, pastel, wax crayon, fabric and architectural plans
- The Big Air Package Collage 2013 in two parts30 1/2 x 12” and 30 1/2 x 26 1/4” (77.5 x 30.5 cm and 77.5 x 66.7 cm)Pencil, charcoal, pastel, wax crayon, fabric, twine and architectural plans
all images found on CHRISTO’S website
BEILI LIU
Recall
(at WCC GalleryOne-top 2 images + at Hå old vicarage-bottom image)
DENNIS OPPENHEIM
Electric Kisses
Stainless steel, tinted acrylic rod, fasteners / Installation with two elements
Electric Kiss ia a shelter-objects partly inspired by the flattened tear drop shape of the classic chocolate kiss, which emanates from the way liquids behave under the force of gravity.
The shape of the Electric Kiss can be likened to that of the Russian onion dome.
It is believed that that onion domes were borrowed by Russians from Muslim countries.
However, even though I wish these associations to be present, the work firmly associates itself to the tear drop shape, and, more specifically, the occasion at which the classic chocolate kiss emanates.
This association, in my mind, most accurately ties the physical act of kissing to an architectural shape since the narrowing of the top portion of the structure is parallel to drawing in a breath at the ending of a gentle kiss.
The electrifying and pulsing light then carries this association from the domain of architecture into the realm of theater, or perhaps, dance.Text via the artist’s website
ANN HAMILTON
selected stills from: Readers and Concordances
see/hear the artist discussing this piece here
(I am looking forward to her lecture next week)
BAM (Ballistic Architecture Macine)
Urchin Cloud (SHENYANG, CHINA)
The project was borne out of a model made from preposterous materials—noodles and sugar. From this miniature, and unlikely, beginning BAM designers worked together, drawing inspiration from everything from bio-luminescent underwater life to Italian bicycles to create the Urchin Cloud.
JACOB HASHIMOTO
detail: MACRO Rome Contemporary Art Museum
see more of this artist’s paper installations on his website
JACOB HASHIMOTO
I’ve Held Your Old Heart in My Fingers at the Horizon of City and Sky | 2011, Paper, wood, and acrylic
(hi-res image found on artist portfolio magazine)
select paper works by Jacob Hashimoto
beautiful and inspring piece—
Pulse Installation, ARNE QUINZE
via his tumblr: arnequinze
beautiful tape drawing by Monika Grzymala
via:drawingisalive
stils and production pieces from:
O (Omicron)
A permanent installation directed by Romain Tardy & Thomas Vaquié
Hala Stulecia, Wroclaw, Poland.
post 2 of 2
WATCH THE ‘MAKING OF VIDEO’ ON THEIR WEBSITE
I also posted this video of the piece in action earlier today…
it is clear- I must learn projection mapping
O (Omicron)
by Rmain Tardy (AntiVJ)
permanent installation for the new museum of architecture of Hala Stulecia, in Wroclaw, Poland
post 1 of 2
Rockstrangers & My Secret Garden book
published by Frame Publishers






